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We show you Berlin's Art & Architecture off the beaten track

We believe Berlin's creative energy can best be explored in its niches. Be it unconventional art spaces or inventive architecture, it’s our passion to explore the uncommon perspectives of our city and we want to share it.

NICHE Berlin offers private personalized art and architecture tours that will get you there. In an authentic Berlin experience, we will show you the city's hard-to-find, innovative architecture gems and experimental, emerging art spaces.

Want to comprehend Berlin's latest artistic tendencies, discover its newest hot spots or meet the people behind the scenes? Look no further.

in Berlin

Berlin has much more to offer than the well-advertised museums and reputable galleries. Artists initiatives, non-commercial art spaces and unusual galleries with inventive approaches make Berlin such a special art metropolis.

NICHE Berlin offers private guided tours to these unconventional locations. It showcases art that has yet to be discovered and elucidates its context.

in Berlin

Berlin's architectural landscape is made up of much more than historical buildings and profit driven construction projects. The creative re-usage of existing structures and vacant spaces leads to an astonishing and intelligent mix of architecture that makes the city so distinctive.

NICHE Berlin puts together individual viewings to the most fascinating architectural projects and explores their histories and contexts.

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Our Services

& Corporate Tours

We offer individual arrangements for corporate clients or student groups. We offer a complete service package including:

  • Individually planned tours ranging from half-day to several days for groups of up to 150 people
  • organization of transport
  • selection and booking of restaurants & further recommendations for your stay in Berlin
Request a quote

Private Tours

Get personal insights into what currently happens in Berlin's niches. Tell us what you are especially interested in and we will develop a customized tour – just for you and your friends. You will meet some of the protagonists of the art & architecture scene.

We can guide you in English, deutsch, français, italiano or español.

Duration 2 – 2:30h
Capacity 1 – 6 pax
200€ per Tour
Gift voucher available
Book a private tour

& Consulting

We offer our unique expertise to institutions, companies, publishing houses but also collectors seeking insights in Berlin's contemporary art scene or architectural landscape. You can book us as speakers or advisers for conferences and conventions, publications, construction projects, exhibitions projects or art acquisitions.

Some of our expertise projects:

  • Zeit Online

    Berlin Culture Blog "Filter"

  • Allied Museum Berlin

    Talk "Field Station Berlin, Teufelsberg – Documentation of a potential architectural monument"

  • Node Curatorial Center

    Talk: "Introduction to Berlin’s art scene"

  • Nokia

    Virtual Tour "GDR Architecture"

Contact us

The NICHE founders The NICHE founders

About us

Since May 2009 NICHE Art and Architecture Tours has been opening up new Berlin perspectives for art and architecture lovers from all over the world NICHE Berlin is the brainchild of Katharina Beckmann (heritage conservation & architecture), Stefanie Gerke & Nele Heinevetter (both art history).

If you would like to work with us as a guide, please check our Facebook page for openings or just send us your CV.

Today Niche Berlin employs a multidisciplinary team of art historians, architects, heritage conservators and artists:

  • Simone Bogner
  • Hannah Hallermann
  • Christina Landbrecht
  • Gregor Quack
  • Franziska Solte
  • Sandra Teitge

& Press

„Madame-Redakteur Rüdiger von Naso und die Fotografin Silke Weinsheimer folgten Niche an Orte, an denen jungen Künstlern eine erste Chance gegeben wird, und zu einer Architektur, die man erst einmal entdecken muss. Und waren hingerissen von Charme, Intelligenz und (Insider-)Wissen der drei, die perfekt moderierten, auf jede Frage eine Antwort wussten und anregende Begegnungen ermöglichten. Spielerisch und mit Humor“
Madame (Juli 2010) "Lieber ein bißchen intimer"

niche art and architecture tours featured in madame magazine

„If you want to explore galleries like Cruise&Callas, Streetart in Kreuzberg, the Haubrok Collection on Strausberger Platz or the Arno Brandelhuber house, Niche's tours are tailored to fit your knowledge, schedule and special requests “
BMW Magazin (April 2012)

niche art and architecture tours featured in BMW magazine

„If you want to find your way around Berlin's ever growing landscape of off-spaces, alternative locations and architectural pecularities, Niche Art & Architecture Tours is for you.“
Sleek (Winter 2010/2011) "Berlin People"

niche art and architecture tours featured in sleek magazine

„Die Drei-Frauen-Firma Niche bietet Rundgänge durch Berliner Galerien an. Sogar auf Italienisch“
ZEITMagazin (Januar 2010) "Heiter bis Glücklich“

niche art and architecture tours featured in zeit magazine

„Stefanie Gerke, Nele Heinevetter and Katharina Beckmann had a winning idea when they started their art and architecture tours of Berlin.“
Lufthansa Magazin (Oktober 2010)

niche art and architecture tours featured in lufthansa magazine

„Die Berliner Kunstszene jenseits des Mainstreams steckt voller ungeborgener Schätze. Sie zu entdecken und die Begeisterung dafür zu teilen, darum geht es bei Niche.“
Zitty (Dezember 2009) "Pulsmesser"

niche art and architecture tours featured in zitty magazine

„Les trois jeunes Berlinoises de Niche proposent un tour à la découverte des endroits où sont exposés de jeunes artistes - encore - méconnus.“
Le Figaro Magazin (Mai 2011) "Berlin, arts majeurs"

„We just wanted to thank you for taking us on the tour yesterday, we both really enjoyed it. I learned a lot about the DDR styles and architectural details thanks to your research and information.“
K. Sanderson

Partners &

Friends, companies & places who support us and make NICHE possible.
  • artberlincontemporary
  • Soho House Berlin
  • Berlinische Gallerie
  • Berlin Independents Guide

niche Blog

If you have pictures of a NICHE Tour we would love to post them! Please send them to contact@nicheberlin.de

    First-ever Project Space Festival

    First-ever Project Space Festival

    Yesterday’s press conference made us even more excited about the first-ever Project Space Festival in Berlin. For the whole month of August, every night there will be openings, performances, tastings, competitions, field trips, talks, screenings and what-not in selected project spaces throughout the city. In the words of the organizers – the three ladies of in situ project space – the selection is not supposed to reflect the crème de la crème of Berlin’s alternative art scene, but rather its variety. All kinds of spaces participate: some with unique concepts, some with unique spatial situations, a specific focus or nomadic approaches. The festival is supported, as so often, by the participants’ enthusiasm – but also some collaborators such as Visit Berlin or Eye out, the mobile art guide, which will provide a special section on the festival.  Unless you have superpowers or nothing else to do, you probably won’t make it to all the events. No worries, Niche is here to give you some directions. You could start right away with Import Projects on Friday the 1st of August: They will be screening a film by Ursula Mayer, which looks really good, followed by an artist talk with curator Nadim Samman. LEAP has a fantastic plan: Under the title LTMSFU (Let me search that for you) they will be hosting the first-ever search-engine-championship on August 7th. With bbq and music. (The notoriously hilarious Yahoo answers will be part of the show). The day after, Kleine Humboldt Galerie will lead the way through an otherwise not so arty building, Humboldt University’s institute for agriculture. Totally worth a visit – they did something similar for Art Week last year and got lots of props for it. On top of promising art shows, you will be able to taste delicious things at tete, ZK/U, Kinderhook&Caracas, Espace Surplus, Sonntag (great concept), Apartment Project, and NuN, but personally, we are especially looking forward to the field trip to site specific installations in Grunewald, organized by Center on August 26th. Wow. So much to see, so much to do. If you have no time for any of this, maybe the closing party on the 31st of August will do for you: there will be professional pictures of all the events for those who missed out. Make sure it’s not you. 


    A fantastical night

    Niche’s night out at the 3rd edition of the festival Foreign Affairs turned out to be a huge success: Retrospectres - Phantoms and Ghosts (1999–2014) by Phantom/Ghost was extremely entertaining. Our highlight (seriously) was the amusing lecture by Eike Wittrock on underwater motifs of 19th and 20th century ballet productions… It was one of the many surprising variations of what was everything but a normal concert, but rather a cheerful revue in which Duo Phantom/Ghost (Tocotronic singer Dirk von Lowtzow & pianist Thies Mynther) staged a selection of their songs. Light-hearted numbers alternated with more melancholic pieces on a broad variety of topics from the pressure to perform to the early morning smoke next to baby tits (as in the birds!) or Freudian psychoanalysis. Phantom/Ghost’s somewhat lethargic but humorous exaltation made their performance extremely entertaining. So was the mise-en-scène. The stage design by visual artist Cosima von Bonin included recreated stage machinery, giant bikinis, fabric cartoon characters and most important: plush submarine creatures. The later were animated by puppeteers Tucké Royale and Rike Schuberty who made the mussels dance, had the octopus recite a poem and made the crab (a.k.a. Yves Saint Laurent) give a hilarious interview on the boring dresscode of the middle-class. Rather the opposite of boring were the stage costumes by Augustin Teboul, which complemented the friendly absurdity of the night. (And there was a fog elephant; we’ve never seen a better fog machine!) Anyways, the evening was only one of four pop performances presented at the Foreign Affairs festival for contemporary performative arts, which deserves much more attention. For this year’s version, curator Martin Hossbach and his team chose 25 productions, which combine music and theatre, visual and performing arts. All acts undermine genre categories (hence the categories »Musee de la Danse«, »Empowerment« and »Performing Pop«). On the occasion of the festival, architects REALITIES:UNITED fitted out the main performance venue, Haus der Berliner Festspiele, to create informal gathering places, while the garden hosts a street food market. In short: Foreign Affairs combines an amazing program with a thoughtful set-up. You should really try to catch some of the remaining events. For example: This Thursday and Friday London-based designer and artist Scott King stages The Festival of Stuff; his personal history of pop. In his practice, King circles around the seemingly ephemeral objects of pop culture such as gestures, style and visual productions on stage or in video clips. He’s currently on view at Wolfgang Tillman’s project space Between Bridges. On Saturday Turner Prize-winner Jeremy Deller presents Acid Brass comprising a brass band playing Acid House – then followed by a lecture on British DJ and journalist Dave Haslam, and a screening of Jeremy Deller’s The Battle of Orgreave.  See you at Haus der Berliner Festspiele this weekend!


    Angela Merkel and other magnets at the 8th Berlin Biennale

    So, the 8th Berlin Biennial. Sueddeutsche Zeitung found it too shy, too careful. In his artnet article, Alexander Forbes wrote he doesn’t really find much innovation in it. He points out really quite striking parallels to the past dOCUMENTA (13), like the wish to tackle peripheral subjects, locations or artists. Or the mini „brain“, in Juan A. Gaitán’s case called „A private collection“, in the venue Haus am Waldsee. (Both artists I will write about here participated in the last documenta, by the way.) Nonetheless, my visits to the peripheral venues in Dahlem during the first week of the show really paid off. This is not least due to two rewarding performances I got to witness. The first was Goshka Macuga’s 50 minute play Preparatory Notes for a Chicago Comedy (thanks, Leonie and Christina, for saving that seat!). It draws on an 1895 comedy script by notorious art historian Aby Warburg, founder of the iconological method. With the help of curator Dieter Roelstraete, the artist took Warburg’s tongue-in-cheek account of conservative and liberal factions in the art world of his time and adapted it to comment on the art circus of our time. Hysterically funny at times, for example when performance artist Marina Abramovic annoys everyone (including Warburg) with her self-publicizing ego, or when Angela Merkel comments laconically on the phone-hacking scandal, it is also a great example of how artists can rewrite historical narratives, one of Gaitán’s aims at this year’s Biennale. Unfortunately, the one I saw was the last staging – but it was videotaped. Goshka Macuga in collaboration with Dieter Roelstraete, stage of Preparatory Notes for a Chicago Comedy, 2014 © Photo: Haupt & Binder The second rewarding performance was a concert of Tarek Atoui’s Dahlem Sessions. Since October 2013, Atoui had repeatedly invited professional experimental musicians to play the historical instruments of the Ethnological Museum. Some of these instruments were unfamiliar to them and so they simply invented new ways of playing them: With magnets, portable fans, bouncy balls and other paraphernalia. The result was not only a very experimental half hour concert. Atoui and his musicians also recorded a “sound library” of their endeavours. They thus enhanced the collection of „field recordings“ of foreign sounds, ambiance, languages, chants and music already existent in the museum. I really like how incidentally, these sessions have now invented a new, experimental, weird musical language that could now once again be filed like an ethnological artefact. In this concert, the interconnection between history and presence was so tangible.  Both of these performances highlighted the curator’s approach to history in the best possible way. Our very attentive friend Friederike noted another positive feature of this Biennial: She pointed out that this is the first exhibition she has (maybe ever?) seen that tackles a postcolonial subject without making the mistake of stating the artists’ country of origin on every label. So there. As Sueddeutsche Zeitung put it, it is an elegant but shy biennial. Maybe that’s a good thing, for once? by Stefanie Gerke PS: If you missed these events, there are other happenings at the Biennale that might enhance your experience of it. Like this special guided tour or this talk with the curator. Make sure to check out the program! 

Zum Gallery Weekend 2014 haben wir für Cee...

    NICHE FÜR CEE CEE: DIE TOP 5 DES GALLERY WEEKENDS 2014 Zum Gallery Weekend 2014 haben wir für Cee...

    NICHE FÜR CEE CEE: DIE TOP 5 DES GALLERY WEEKENDS 2014 Zum Gallery Weekend 2014 haben wir für Cee Cee Ausstellungen und Performances zusammengetragen, auf die wir uns besonders freuen. See you there! UNPRAKTISCHE GEBILDE BEI ARRATIA BEER: FRIEDRICH TEEPE "Unpraktische Gebilde" nannte Friedrich Teepe seine in der Tat sehr unpraktischen, aber faszinierenden Objekte. Der 2012 verstorbene Künstler arbeitete zeitlebens in Osnabrück und verwehrte sich einer internationalen Karriere, um stattdessen an einem Gymnasium zu unterrichten. Kuratorin Eva Wilson sagt deshalb über die gemeinsam mit Euridice Arratia zusammengestelte Ausstellung: "Es ist toll, der Ich-AG-Kunstwelt von 2014 eine sehr andere Künstlerbiographie entgegenzustellen." Die Abgeschiedenheit tat seiner Kunst keinen Abbruch, ganz im Gegenteil: Leinwände und Polster nähte, faltete, schnitt, bemalte und begürtete er zu großformatigen Gebilden, deren Eigenart fasziniert. Am 3.5. gibt es um 16 Uhr eine Performance des Cellisten Augustin Maurs mit Louis-Philippe Scoufaras, basierend auf der Zahl 3 und in Form einer abstrahierten Musikstunde. (Fotos: Courtesy Arratia Beer) Arratia Beer, Potsdamer Str.87, 10785 Berlin-TiergartenOpening: 2.5.2014; Laufzeit: bis 14.6.2014Performance: 3.5.2014, 16h IM HINTERHAUS: ALEXANDRA BIRCKEN — UPSTAIRS BEI BQ Die BQ Galerie ist schon länger für ihre konzeptuellen, philosophischen, wortspielerischen Schauen bekannt. Momentan widmet sie dem Turnerpreisträger Richard Wright eine sehenswerte Ausstellung in ihren Haupträumen, die ein Jahr lang (!) in Kapiteln aufeinander aufbaut. Zum Gallery Weekend kommt noch ein neuer Coup hinzu: “Upstairs” heißt die neue, regelmäßig zu bespielende Ausstellungsfläche der Galerie im Hinterhaus. Hier zeigt BQ aktuell Alexandra Bircken, die uns schon oft durch ihre eigenwilligen, organischen Skulpturen aufgefallen ist. Ihre Einzelausstellung heißt “B.U.F.F.”, das steht für “Big Ugly Fat Fellow”, die militärinterne, umgangssprachliche Bezeichnung für den amerikanischen Langstreckenbomber B-52. Die großformatigen Latexobjekte erinnern dabei nicht zufällig an überdimensionale Phallussymbole. Birckens experimentelle Verwendung von Material – sie hat Modedesign studiert – macht ihre Ausstellungen immer absolut sehenswert. (Fotos: Roman März / Courtesy BQ) BQ, Weydingerstr.10, 10178 Berlin-MitteOpening: Fr 2.5.2014, 18-21hLaufzeit: 3.5.-28.6.2014 OFFEN FÜR: SIMON DYBBROE MØLLER IN DER GALERIE KAMMSimon Dybbroe Møllers Ausstellung “Aperture & Orifice” zu Öffnungen, Begehren und Aneignung in der Galerie Kamm zeigt, dass die Kombination aus Ironie und Kunst durchaus gelingen kann. Im engeren Sinne geht es um Fototechnik und Essen, im Weiteren um die Nähe von Vulgärem und Stilisierten. Das Video “Untitled (How Does it Feel” (2014)) kombiniert absurde Netzclips zur Canon Mark ii Kamera – diese nahm als erste Spiegelreflexkamera auch professionelle Filmsequenzen auf – und unterlegt sie mit dem titelgebenden Lied von D’Angelo. Ein grauenvolles Phänomen greift auch die Serie “Negative Plates”(2014) auf: Das Fotografieren der angerichteten Nahrung vor dem Einverleiben. Auf den Keramiktellern befinden sich mit aus Kunstharz gegossene Nachbildungen halb gegessener Mahlzeiten. Eine “Denkmal für das peptische Nichtstun”, so der Künstler, setzt Møller dagegen an der Kurfürstenstraße 142. Auf der umzäunten Brache einer Baugruppe arrangiert er zwischen Müll und Unkraut eine Spritzbeton-Skulptur aus seiner Serie “Sporting” aus dem Jahr 2013. (Foto: Courtesy Galerie Kamm)Galerie Kamm, Rosa-Luxemburg-Str.43, 10178 Berlin-MitteOpening: 2.5.2014 18-21hLaufzeit: 3.5.-14.6.2014 AUF DIE OHREN: IGNACIO URIARTE IN DER BERLINISCHEN GALERIEBeim Gallery Weekend gibt es viel zu sehen. Zum Auftakt des Wochenendes gönnen wir unseren Augen deshalb noch eine kurze Pause und konzentrieren uns allein auf unseren akustischen Sinn. Ignacio Uriarte präsentiert im Eingangsbereich der Berlinischen Galerie “Acht Stunden zählen”. Uriarte, der Betriebswirtschaft studiert hat, setzt sich in dieser Klanginstallation, wie auch in früheren Arbeiten, mit der Monotonie des Büroalltags auseinander. Hier hören wir einen Mann zählen. Acht Stunden lang. Jede Silbe nimmt dabei eine Sekunde ein. Uriarte verweist damit nicht nur auf den regulären Arbeitstag eines Angestellten, sondern gliedert diesen durch Sprache neu. Am Ende der acht Stunden ist der Sprecher bei der Zahl 3599 angelangt. Und wir vermutlich froh, dass wir den Büroalltag für diese Woche bereits hinter uns gelassen haben. (Foto: Courtesy Berlinische Galerie)Berlinische Galerie, Alte Jakobstr.124-128, Berlin-KreuzbergEröffnung mit Brunch: 3.5.2014, 11h; der Eintritt zur Ausstellung ist zwischen 10-12h kostenlos Laufzeit: bis 30.6.2014 RÄTSELHAFTES MIT KATINKA BOCK BEI MEYER RIEGGEREine weitere, mysteriöse Performance gibt es am Samstag auch bei der Galerie Meyer Riegger zu sehen und zwar im Rahmen der Ausstellung “Februar” von Katinka Bock. Bock verwendet natürliche Materialien – die Arbeit “Martinzùl”(2014) etwa besteht aus Holz, Stoff und Salz – ohne dabei ins Esoterische abzurutschen. Ihre Arbeiten sind angenehm einfach und klar und zeichnen sie sich durch aberwitzige Spannungsverhältnisse aus. Häufig konzipiert sie sie ihre Arbeiten erst in den Ausstellungsräumen, was die Skulpturen und Interventionen zu Begegnung von Gegenständen, Situationen und Räumen macht. Umso gespannter sind wir auf ihre Performance “Nord”. (Fotos: Courtesy Meyer Riegger)Meyer Riegger, Friedrichstr.235, 10969 Berlin-KreuzbergEröffnung: 2.5.2014, 18-21h; bis 31.5.2014Performance: 3.5.2014, 12h

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Beckmann Gerke Heinevetter UG (haftungsbeschränkt)
Rheinsberger Str. 68
10115 Berlin

Tax ID: 34/221/51968
Tel: +49 176 66800232

Design & Site:
A++, Uli Schöberl

Portait & Tour Photography:
Mary Scherpe, Stil in Berlin

Thank you!